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PhDoctor as a Senior Lecturer in Esthetics, G. Nalini MARGNAC is an associate researcher at the "Théâtre du monde" laboratory of the University of Paris 8. Permanent member of research groups, she also carries out editorial work in the committees of 'Scènes du monde' academic journal.
Particularly devoted to the performing arts of South India, she has been teaching theory and practice in Theatre and Dance, as well as in Gender Studies since 2016 at the University of Bordeaux Montaigne.    
Invited to participate in lectures and study programs around the world, she publishes her research in national and international academic journals. Trained by great Indian masters such as Adyar K. Lakshman, Sudharani Raghupathy, Sivaselvi Sarkar, she also leads a career as a professional artist of Bharata-nāṭyam (she performs notably at the National Bibliothèque Richelieu, and the Grand Palais in Paris, in Europe, in Morocco, and in India, (Aurobindo Ashram school in Puducherry,  Kalakshetra in Adyar, Season in Chennai). 

THESIS defended in 2022
«Devi, figure(s) of the feminine in the poetics of contemporary Bharata Natyam, danced theatre of South India. Study of repertoire pieces in Tamil Nadu from 2000 to 2020. This research studies pieces by Bharata Natyam in which appears Devi, "the goddess". If she is manifested through multiple figures such as Kali, Parvati, Sarasvati and others forms of the goddess,  her importance on the stage of Bharata Natyam exceeds the simple narrative or figurative dimension. How do the plays draw on a poetic text, a song, or a mythological figure? This study through the prism of female figures highlights their aesthetic issues and develops a methodology for analyzing the scene in its poetic relationship to the contemporary world. Jury: Jean-François Dusigne (President), Katia Légeret (Director) and Nathalie Coutelet from Paris 8 University, Uma Damodar Sridhar (EFL University, Hyderabad, Pierre Katuszewski (Université Bordeaux Montaigne), Vijayalakshmi Rao (JNU University, New Delhi, Inde).    

RESEARCH
- Associate researcher of the EA 1573 laboratory and permanent member of "Créons au Musée", ArTeC EUR project (Université Paris 8).    
- AJEI member "Association of Young Indian Studies" (2020-2025).    
- ACD member "Association of Dance Researchers" (2022-2025).    
Specialties     
- History, aesthetics and poetics of the performing arts in India.     
- Creative process, scenic intermedialities.    
- Contemporary staging of the performing arts repertoire in India.    
- Religions, rites, myths and literary imaginaries at work.    
- Gender studies, intersectionalities (feminisms, masculinities, postcolonialism).    
- Ecopoetics.     

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Headline:
PHD Doctor and Lecturer
First Name:
G Nalini
Last Name:
Margnac
Country:
France
Sex:
Woman
City:
Paris
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G Nalini Margnac added new article
In the Tamil song “Tuyil kola…”, the text addresses the sea: “You never sleep, for what reasons? Is it the heat of the sun? Is it the sound of the waves? Is it because of the fishermen’s nets and their oars? Are you too busy with the beings you protect: seaweed and shells, sea snakes and fish? Do you suffer, enventually, from the madness of human beings?”
Catalog: Aesthetics Anthropology 
13 hours ago
G Nalini Margnac commented on a article

you can hear the song here : https://www.youtube.com/watch?v=s4PNaahsf-A

The second stanza of Tamil song "Tuyil kolla ..." is addressed to the sea: "The living beings in you will access to fullness ...". The artist Sivaselvi Sarkar created from this poem a play in Bharata-nāṭyam style: how is the sea represented? How does the poem, developed by the scenic artist, « embody » the sea and its « living beings » (« uyir-gal » in Tamil)? How did Sivaselvi Sarkar transmit this corporeality to us? This paper will demonstrate how the text, its musical score and its creation in Bharata-nāṭyam style express a concern carried by a real « ecopoïetic ». link : https://percees.uqam.ca/jouer-les-etres-vivants-de-la-mer-qui-atteindront-la-plenitude-dans-le-style-bharata-na%e1%b9%adyam-theatre-danse-de-linde-du-sud/
Catalog: Aesthetics 
334 days ago · From G Nalini Margnac
13 hours ago
G Nalini Margnac added new article
The second stanza of Tamil song "Tuyil kolla ..." is addressed to the sea: "The living beings in you will access to fullness ...". The artist Sivaselvi Sarkar created from this poem a play in Bharata-nāṭyam style: how is the sea represented? How does the poem, developed by the scenic artist, « embody » the sea and its « living beings » (« uyir-gal » in Tamil)? How did Sivaselvi Sarkar transmit this corporeality to us? This paper will demonstrate how the text, its musical score and its creation in Bharata-nāṭyam style express a concern carried by a real « ecopoïetic ». link : https://percees.uqam.ca/jouer-les-etres-vivants-de-la-mer-qui-atteindront-la-plenitude-dans-le-style-bharata-na%e1%b9%adyam-theatre-danse-de-linde-du-sud/
Catalog: Aesthetics 
13 hours ago · 1 comments1 comments
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G Nalini Margnac edited her profile info
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G Nalini Margnac added new avatar
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The second stanza of Tamil song "Tuyil kolla ..." is addressed to the sea: "The living beings in you will access to fullness ...". The artist Sivaselvi Sarkar created from this poem a play in Bharata-nāṭyam style: how is the sea represented? How does the poem, developed by the scenic artist, « embody » the sea and its « living beings » (« uyir-gal » in Tamil)? How did Sivaselvi Sarkar transmit this corporeality to us? This paper will demonstrate how the text, its musical score and its creation in Bharata-nāṭyam style express a concern carried by a real « ecopoïetic ». link : https://percees.uqam.ca/jouer-les-etres-vivants-de-la-mer-qui-atteindront-la-plenitude-dans-le-style-bharata-na%e1%b9%adyam-theatre-danse-de-linde-du-sud/
Catalog: Aesthetics 
334 days ago · From G Nalini Margnac
In the Tamil song “Tuyil kola…”, the text addresses the sea: “You never sleep, for what reasons? Is it the heat of the sun? Is it the sound of the waves? Is it because of the fishermen’s nets and their oars? Are you too busy with the beings you protect: seaweed and shells, sea snakes and fish? Do you suffer, enventually, from the madness of human beings?”
Catalog: Aesthetics Anthropology 
806 days ago · From G Nalini Margnac
The Bharata-nāṭyam artist Vidhya Subramanian composed this play which celebrate the goddess Durgā. How does the staging of its extraordinary radiation problematize the representations of genders? What central questions does it suggest?
Catalog: Aesthetics 
1544 days ago · From G Nalini Margnac
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